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List of episodes:
001-026
01
The Boy Sou Sou
02
Amore
03
Demon of the North Gate
04
Feast of Flame
05
Vessel of the World
06
Blue Sky already dead
07
Heaven - Earth - Man
08
The Rude Male`s Hell Fire
09
Toutaku Proceeds to the Capital
10
Rival Chiefs, Rise
11
Si Shui Gate
12
Sonkin`s Death
13
Devil King versus Devil God
14
Today`s Beginning
15
Black Storm
16
Supporting the Emperor
17
Sousou and Ryuubi
18
Soushi`s Visions
19
The Monkey and the Dragon
20
Immobile Devil
21
Pure Soldier
22
Ryofu`s Legend
23
Divine Will and Thunder
24
Surrender and Escape
25
White Horse Port
26
The Heart`s Darkness

Beyond the Heavens
R+
HD
Souten Kouro's story is based loosely on the events taking place in Three Kingdoms period of China during the life of the last Chancellor of the Eastern Han Dynasty, Cao Cao (155 – March 15, 220), who also serves as the main character. The Three Kingdoms period has been a popular theme in Japanese manga for decades, but Souten Kouro differs greatly from most of the others on several points. One significant difference is its highly positive portrayal of its main character, Cao Cao, who is traditionally the antagonist in not only Japanese manga, but also most novel versions of the Three Kingdoms period, including the original 14th century version, Romance of the Three Kingdoms by Luo Guanzhong. Another significant difference from others is that the storyline primarily uses the original historical account of the era, Records of Three Kingdoms by Chen Shou, as a reference rather than the aforementioned Romance of the Three Kingdoms novel. By this, the traditional hero of Romance of the Three Kingdoms, Liu Bei, takes on relatively less importance within the story and is portrayed in a less positive light. Yet, several aspects of the story are in fact based on the novel version, including the employment of its original characters such as Diao Chan, as well as anachronistic weapons such as Guan Yu's Green Dragon Crescent Blade and Zhang Fei's Viper Blade. A consistent theme throughout the story is Cao Cao's perpetual desire to break China and its people away from its old systems and ways of thinking and initiate a focus on pragmatism over empty ideals. This often puts him at odds with the prevalent customs and notions of Confucianism and those that support them.
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